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The marriage rituals may be different, but talaq and alimony should not be discriminative
The marriage rituals may be different, but talaq and alimony should not be discriminative

By Dr SB Misra

With 22 Islamic countries having already banned triple talaq and halala and India being a secular country, this disgrace should have long been banned here as well

With 22 Islamic countries having already banned triple talaq and halala and India being a secular country, this disgrace should have long been banned here as well

What forced PM Modi to talk of population-control?
What forced PM Modi to talk of population-control?

By Ranvijay Singh

At the rate our population is surging, we will, by 2027, surpass china to become the most populated nation in the world with a projected population of about 1.5 billion. This clearly shows that India suffers from a major population explosion

At the rate our population is surging, we will, by 2027, surpass china to become the most populated nation in the world with a projected population of about 1.5 billion. This clearly shows that India suffers from a major population explosion

हिजाब, नकाब और बुर्के में क्या है अंतर, जानते हैं आप ?
हिजाब, नकाब और बुर्के में क्या है अंतर, जानते हैं आप ?

By Mohit Asthana

Triple talaq gets talaq
Triple talaq gets talaq

By गाँव कनेक्शन

तीन तलाक़ के बहाने साध रहे कई निशाने
तीन तलाक़ के बहाने साध रहे कई निशाने

By शेखर गुप्ता

Colours of Communal Harmony in West Bengal's Pattachitra Art
Colours of Communal Harmony in West Bengal's Pattachitra Art

By Gurvinder Singh

Artists recognise no barriers of caste, creed or colour. And Noya village in West Bengal, made up entirely of Muslim Pattachitra artists, stands testimony to this as its nearly 300 inhabitants continue to tell stories of Hindu Gods and Goddesses through their beautiful cloth-based scroll paintings.

Artists recognise no barriers of caste, creed or colour. And Noya village in West Bengal, made up entirely of Muslim Pattachitra artists, stands testimony to this as its nearly 300 inhabitants continue to tell stories of Hindu Gods and Goddesses through their beautiful cloth-based scroll paintings.

#TripleTalaq : ‘शरीयत की जानकारी नहीं, कैसे विरोध करेंगी मुस्लिम महिलाएं’
#TripleTalaq : ‘शरीयत की जानकारी नहीं, कैसे विरोध करेंगी मुस्लिम महिलाएं’

By Swati Shukla

Bringing rural women back into the workforce
Bringing rural women back into the workforce

By Nihira

The estimated female labour force participation rate in India has plummeted to 19 per cent compared to 32 per cent in 2005. Interventions by the Good Business Lab, create a support system for rural women to help them enter the job market.

The estimated female labour force participation rate in India has plummeted to 19 per cent compared to 32 per cent in 2005. Interventions by the Good Business Lab, create a support system for rural women to help them enter the job market.

For ‘Rastar Master’, where there’s a wall, there’s a way
For ‘Rastar Master’, where there’s a wall, there’s a way

By Aishwarya Tripathi

A teacher brings learning to unlettered women in the villages of West Bengal by converting walls in their neighbourhoods into ‘blackboards’. The ‘Rastar Master’ has also reduced the dropout rates of his students as their mothers and grandmothers now realise the importance of education.

A teacher brings learning to unlettered women in the villages of West Bengal by converting walls in their neighbourhoods into ‘blackboards’. The ‘Rastar Master’ has also reduced the dropout rates of his students as their mothers and grandmothers now realise the importance of education.

Tikuli Art of Bihar: From adorning women to empowering them
Tikuli Art of Bihar: From adorning women to empowering them

By Lovely Kumari

The beautiful art of Tikuli, said to be 800 years old, would have passed into oblivion but for the dedication of artist Ashok Kumar Biswas who not only revived the art form but also made it a source of livelihood for more than 300 women he trained in the art.

The beautiful art of Tikuli, said to be 800 years old, would have passed into oblivion but for the dedication of artist Ashok Kumar Biswas who not only revived the art form but also made it a source of livelihood for more than 300 women he trained in the art.

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